لنډيز

Lawrence Alma-Tadema: Phidias Showing the Frieze of the Parthenon to his Friends
هنرمند	Lawrence Alma-Tadema  (1836–1912)      نور نومونه Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema څرگندونه Dutch-British painter، drawer، etcher او illustrator زېږون نېټه/مړينه ۸ جنوري ۱۸۳۶  ۲۵ جون ۱۹۱۲  زېږونځای/مړينه Dronryp Wiesbaden د کار موده 1851-1912 د کار ځای Antwerp (1852-1865), لیوواردن (1855), Cologne (1861), Pompeii (1863-1864), پاريس (1864), City of Brussels (1865-1870), لندن (1868, 1870-1912), Egypt (1902-1903) واک کنټرول : Q240526 VIAF: 68986036 ISNI: 0000000081483905 ULAN: 500008100 Open Library: OL5558878A DBNL: alma001 WorldCat artist QS:P170,Q240526
لقب	Phidias Showing the Frieze of the Parthenon to his Friends
Object type	نقاشي
Genre	history painting
Depicted people	Phidias
نېټه	۱۸۶۸ date QS:P571,+1868-00-00T00:00:00Z/9
منځوی	oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions	height: ۱۱۰٫۵ cm; width: ۷۲٫۰ cm dimensions QS:P2048,110.5U174728 dimensions QS:P2049,72U174728
ټولگه	Birmingham Museum and Art Gallery    Native name Birmingham Museum and Art Gallery Parent institution Birmingham Museums Trust  Location Birmingham انګلېنډ Coordinates ۵۲° ۲۸′ ۴۹٫۰۸″ N, ۱° ۵۴′ ۱۳٫۶۳″ W   Established ۱۸۸۵  Website website واک کنټرول : Q1799857 VIAF: 135732405 ISNI: 0000000121636401 SUDOC: 029554020 CiNii: DA01563042 J9U: 987007258729705171 institution QS:P195,Q1799857
اوسنی ځای	Birmingham Museums Trust
Accession number	1923P118 (Birmingham Museums Trust)
يادښتونه	English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right.[1] Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a boy, Alcibiades, with his lover, Socrates.[2][3][4]
سرچينې	https://www.birminghammuseums.org.uk/explore-art/items/1923P118/pheidias-and-the-frieze-of-the-parthenon  https://passerelles.essentiels.bnf.fr/fr/image/ad6a7a53-0a64-465c-9d16-4eccf481dca5-phidias-montrant-frises-parthenon-ses-amis (فرانسوي) Art UK artwork ID: pheidias-and-the-frieze-of-the-parthenon-33742
سرچينه/انځورگر	Unknown sourceUnknown source
اجازه (دا دوتنه بيا کارول)	This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
نورې بڼې	This file has an extracted image: 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends (tight crop).jpg. This file has been extracted from another file  : 1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg Detail, Socrates and Alcibiades

References

1. ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
2. ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
3. ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
4. ↑ "Little is actually known of the life of Phidias, but Alma Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2